Mahler Symphony no. 3

Budapest Festival Orchestra

Mahler

SKU: 38817

Year of release: 2017

1. Kräftig Entschieden Mahler 33:14
2. Tempo di Menuetto Mahler 10:14
3. Comodo, Scherzando Mahler 18:31
4. Sehr Langsam Mahler 08:15
5. Lustig im Tempo Mahler 04:02
6. Langsam. Ruhevoll Mahler 21:31

About this album

I love the whole symphony but from the second movement two favorite moments, two details, spring to mind. First, the recapitulation when the solo violin takes flight, like a buzzing bee around a flower, and then accidentally finds itself in a wonderful modulation to E major. The second is the ending. The flowers, that move and dance elegantly against the wind, suddenly expose their Tristan-like soul. From the vast first movement I would choose the huge, yawning creature’s (Pan’s?) first appearance. Conducting the Scherzo I am always carried away by the inserted episodes which interrupt the post horn – first by a group of baroque birds, then rococo ones flying up from the pages of a Mozart piano concerto. What an ingenious and unpredictable use of different styles! Finally, the endless melody of the last movement moves me every time with its intimate beauty and honesty. There is something divine in the wealth of this great masterpiece.
Iván Fischer

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Reviews

musicweb-international

I’ve not been lucky with recordings of this symphony in recent years, so the unfolding loveliness of this performance is cause for celebration. How beguiling those Wunderhorn tunes, and how honestly shaped those simple phrases; indeed, how refreshing his view of this opener as a whole. Not since Levine and Abbado have I heard the closing bars sound so exhilarating. As for the playing – disciplined, weighty and with necessary heft when it matters most – it simply confirms the BFO as one of the world’s truly great ensembles.

"...Without question, the finest instalment in Fischer’s Mahler cycle to date; and what breathtaking sound.  Romberger sounding exceptionally full and rounded in her solo. The BFO percussion are also uncommonly well rendered, but then everything about Channel’s recordings speaks of the highest musical and technical values.


HRAudio.net

Those who have enjoyed Fischer's earlier Mahler recordings will need no urging to acquire this one. In both musical and sonic terms it provides a further criterion for past and future recordings of this symphony. (...) Finally it is the superb state-of-the-art sound quality achieved by Jared Sacks in the fine acoustic of the Béla Bartók National Concert Hall, Palace of Arts, Budapest. The 5.0 channel DSD recording providing almost unrivalled realism, clarity and impact to the music – essential in Mahler. (...)

Technical Specifications

SpeakersGrimm LS1
Digital To Analog ConverterPyramix
Mastering EquimentPyramix
Mastering EngineerThe recording was originally digitized using the Grimm AD1, which operates at DSD64. The original session tracks were edited and rebalanced (which meant going through the mixer) in the only available format for that purpose; the Pyramix 352.8KHz/24bit PCM (DXD). Prior to the advent of direct digital delivery, the next step in the production process from 352.8KHz/24bit PCM would be the DSD64 edited master for SACD production. What we have done now is also make a direct conversion to DSD128 and DSD256 from that original DXD edited master, without going through any interim processing steps. Those DXD to DSD conversions are not up-samplings, as they would be going from one PCM sampling rate to another, for they are different encoding systems. PCM is a digital value sample based system, and DSD is a digital bit density modulated system. Conversion from any PCM sample rate to any DSD bit rate system is a remodulation, not an up-sampling. We feel there is an audio advantage to this process in using the original files so we give you the choice and you can decide. Jared Sacks
CablesVan den Hul
Mixing ConsoleRens Heijnis custommade
MicrophonesBruael & Kyaer, Schoeps
Recording FormatDSD64
Analog To Digital ConverterGrimm AD 64fs
Recording DateMarch 2016
Recording LocationBudapest, Hungary
EditingJared Sacks
Recording EngineerJared Sacks
ProductionJared Sacks